Hellbent For Leather

By / 8 years ago / Editorial / 1 Comment

It’s classic rock night – and spandex is optional

Make a fist and raise it to eye level. Your thumb should be facing away from you, as if you were offering the Black Power salute. Now fully extend your little finger and index finger, to give the impression of your fist having horns. Finally, take a deep breath and shriek – shriek! – the following: “METAAAAAAAAAAAAAAALLLLLLLL!”

Good. You are now ready to rock.

This is NOT rock

A rawk night in an upscale drinking house isn’t aimed at wrinkly greasers in crusty leather trousers and their girlfriends in eye-torturing spandex. It’s mainly for rock virgins willing to offer themselves to the sexy gods of rock: young (and young-ish) fun-lovers who wear vintage Motorhead t-shirts even though they’ve no idea about Lemmy’s real name. (It’s Ian Kilmister, mofo.)

The featured artists don’t have be nought but the evil overlords of hard rock and metal; the evening need not be full of Metallica, Black Sabbath and inverted crucifixes. There must, however, be Zeppelin. (In which case, Spotify will not be your friend). After that, feel free to throw in anything that, well, rocks – and in a way that’s either kinda dirty or kinda silly. Or both. It doesn’t matter as long as it has classic credentials.

Pick nothing too thrashy (Slayer’s Raining Blood will have to sit it out), but make sure there are power chords and bellowing. Singers who pronounce “woman” as “wooomaaannn!” are to be encouraged. Guitars are key, so no synth-led sounds. Punk is often too thin, production wise, but you’ll find that American proto-punk works if it’s thick with fuzz and filth. Few fair weather rockers in your place are likely to be familiar with MC5, mind.

Machismo is vital. That means nothing deliberately camp; glam rock’s a no-no. Save it for another theme night. Hair-metal is fine, though. Hugely coiffured guys like Poison, Twisted Sister and Guns ‘n’ Roses wanted us to believe they were butch (even though they looked like performers from an all-transvestite circus) and they did their girly best to provoke a manly mosh. They’re a rich vein of pub-friendly rawk.

This IS rock

Go heavy on the uber-classics (nothing younger than ten-years-old, please) so that customers can headbang politely – and throw in a few lesser-know tracks during which people can take a rest, stomping a casual hoof while they’re at the bar. You’ll be able to spot the few true metal-heads: they’ll be playing air guitar as they order their pints of cider ‘n’ black.

The following 20 tunes represent only a tiny fraction of all the ear-splittin’, face-meltin’, bourbon-drinkin’, sweat-stinkin’ sounds available. Many more will follow here another time.

For now, get this bitchin’ playlist on Spotify

  1. Since You’ve Been Gone – Rainbow
  2. Epic – Faith No More
  3. Poundcake – Van Halen
  4. Remedy – The Black Crowes
  5. Breaking the Law – Judas Priest
  6. Alive – Pearl Jam
  7. That Smell – Lynyrd Skynyrd
  8. Battleship Chains – The Georgia Satellites
  9. Shooting Star – Bad Company
  10. Highway Star – Deep Purple
  11. Big Eyes – Cheap Trick
  12. No More Mr Nice Guy – Alice Cooper
  13. Rockin’ Again – Saxon
  14. Run to the Hills – Iron Maiden
  15. Learn to Fly – Foo Fighters
  16. Bad Motor Scooter – Montreal
  17. Motley Crue – Girls Girls Girls
  18. Search and Destroy – Iggy and the Stooges
  19. Black Hole Sun – Soundgarden
  20. Livin’ on a Prayer – Bon Jovi

A closer listen: Bad Company

Paul Rodgers was the singer who gave the rockinverse that most delicious “ow!” in All Right Now. His stint as Free’s lung-buster reached its zenith with the band’s Fire and Water LP of 1970. It’s a cracker, but it’s amateur hour when compared to what came next: Bad Company, one of the ’70s first super-groups.

They were Rodgers and fellow Free bird Simon Kirke, King Crimson’s Boz Burrell, and Mick Ralph from Mott the Hoople (No Hoople in this week’s playlist? WTF?! – Ed) Their first two albums are awesome, dude! They friggin’ wailed! Big bluesy riffs, scorched vocals and lyrics that had no ambition beyond describing what horny-pony Rodgers was: marvellous!

Well, that’s not being fair. As well as Can’t Get Enough of Your Love and Feel Like Makin’ Love, there’s also the likes of Shooting Star (see above), which tells the tale of young Johnny, who aspires to be a rock-stallion, achieves his goal, and then carks it. It’s as corny as all hell – and it’s great. And so – for two albums, at least – were the Company.



Daniel Selwood

Daniel has been a journalist for 15 years, a drinker for two decades, and a music lover all his life. He has worked in print, teletext and online, and has written on a massive range of subjects, from entertainment to the funeral business. He's currently employed as a web editor of a leading trade magazine. Daniel is a northerner, a trencherman, an atheist and a misanthrope. Follow Daniel on Twitter: http://twitter.com/DanielSelwood

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